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Miu Miu x Art Basel Paris: Helen Marten Debuts “30 Blizzards” at the Palais d’Iéna

Miu Miu returns to Paris as an official partner of the Art Basel 2025 Public Program, and it does so with a project that promises to impress. From October 22nd to 26th, the Palais d’Iéna becomes the stage for “30 Blizzards.”, the new creation by Helen Marten, a British artist who intertwines sculpture, video, writing, and now—for the first time—performance.

At the center are thirty performers, each with their own emotional climate and a tangible symbol that becomes language, sound, and gesture. Through sculptures, videos, and monologues, Marten orchestrates a fluid ecosystem that oscillates between childhood, interiority, and loss, evoking the invisible entanglements of human relationships. “Blizzards” is more than just a storm here: it is a barometer of emotions, a lyrical explosion, and an embodied atmospheric condition.

With stage direction by Fabio Cherstich and music by Beatrice Dillon, the hypostyle space of the Palais d’Iéna is transformed into a civic square, theater, and film set, where body and matter become narrative grammar.

This second consecutive year of partnership, Miu Miu reaffirms its cultural vocation: exploring femininity as a plural and porous practice, creating unexpected dialogues between fashion, art, and society.



Miu Miu x Art Basel Paris: Helen Marten Debuts “30 Blizzards” at the Palais d’Iéna

Miu Miu returns to Paris as an official partner of the Art Basel 2025 Public Program, and it does so with a project that promises to impress. From October 22nd to 26th, the Palais d’Iéna becomes the stage for “30 Blizzards.”, the new creation by Helen Marten, a British artist who intertwines sculpture, video, writing, and now—for the first time—performance.

At the center are thirty performers, each with their own emotional climate and a tangible symbol that becomes language, sound, and gesture. Through sculptures, videos, and monologues, Marten orchestrates a fluid ecosystem that oscillates between childhood, interiority, and loss, evoking the invisible entanglements of human relationships. “Blizzards” is more than just a storm here: it is a barometer of emotions, a lyrical explosion, and an embodied atmospheric condition.

With stage direction by Fabio Cherstich and music by Beatrice Dillon, the hypostyle space of the Palais d’Iéna is transformed into a civic square, theater, and film set, where body and matter become narrative grammar.

This second consecutive year of partnership, Miu Miu reaffirms its cultural vocation: exploring femininity as a plural and porous practice, creating unexpected dialogues between fashion, art, and society.